Tuesday, January 5, 2016

Once Upon a Time There Was a Boy

The main character in this book is an elderly Jewish man named Leo Gursky. He immigrated to New York from Poland during the time when Hitler was in power. As the reader, you notice almost immediately that Mr. Gursky has an inherent disposition for being a pessimistic person. He acknowledges that in recent years he has tried to change after he noticed other members of the community crossing the street to avoid his grumpy demeanor while walking the sidewalk. He lives in a small cluttered apartment, where he constantly fears that there will be a huge time lapse after he dies before anyone finds his course.
Luckily for him, his best friend Bruno is in the same position and happens to live in an identical apartment on the floor above him. They have an unspoken agreement to check up on each other and to make sure the other never gets forgotten about to decompose alone. At this point, we have only seen Bruno briefly and usually in passing. However, as the reader, it is easy to conclude that their loneliness is what bonds them. Leo Gursky is a sad man, for good reason, and you are compelled to feel empathy for him in the life that he has lived. Here is his life story in a nutshell:
Once upon a time there was a boy. A boy who was very much in love with a girl. The boy and the girl promised to love each other forever. Both the boy and the girl were Jewish. In need of escaping the genocide to come, the girl's parents sent her oversees to America, where she tried to write to the boy in Poland. Meanwhile, the boy in Poland was laying, hiding silently in the woods listening to the screams of his family as they were shot. The boy was spared. Finally, the boy made it to New York. After many long years the boy tracked down the girl, both were now grown. The now woman told the man of how she tried to write to him, to tell him that she was pregnant with his son. The boy never replied, so she believed him to be dead. She had the boy, Isaac the famous writer, and then she married her boss's son, and had another child. The man begged her to runaway with him, but she declined. The man never stopped loving the woman, but he loved her enough to let her go. Now the man is alone, penniless, and keeps a card in his wallet that says "LEO GURSKY I HAVE NO FAMILY PLEASE CALL PINELAWN CEMETERY I HAVE A PLOT THERE IN THE JEWISH PART THANK YOU FOR YOUR CONSIDERATION."

Our second main character is named Alma, after her parents favorite Spanish novel, The History of Love. She has an educated English mother, and a "father who lost everything: weight, hair, and various internal organs." Alma's mother laid in bed for a year, struck with grief that was most noticeable through the pile up of used water glasses that circle the bed showing the passing of 365 days. Her mother once explained to her, at eight years old, that she would from here on out be treated like an adult. In other words, Alma needed to run the house and look out for her little brother, the Messiah, while her mother grieved the loss of her love, Alma's father. Alma believes her mother is her own species. She is the only human Alma knows that can subsist for days at a time on only water and air. Unlike her mother, who remembers Alma's father by forgetting everything but her love for him, Alma cherishes her father's memory by striving to be like him. This is how she came to keep a survival guide for the wilderness, as she learned everything about the outdoors that her father was once so passionate about. Her brother, Emanuel, but now referred to as Bird because he leaped out of a second story window, is one of Alma's only companions; and she, his. For Bird, there is no paternal memories, and the absence of parent's nurturing is clear through his sad actions. In their idle time, Alma and Bird's favorite game to play together is "What I Am Not". This is how it works: They go through the room, pointing at objects and yell "THIS IS NOT A CHAIR", THIS IS NOT A TABLE", "IT IS NOT RAINING OUTSIDE", etc. until they have erased not only rooms, but weather conditions, and whole years of life. One day, Bird finished the game by yelling "I! HAVE NOT! BEEN! UNHAPPY! MY WHOLE LIFE!" Alma replied, "But you're only seven."

6 comments:

  1. Leo and Bruno really give the book a very gloomy tone at the beginning. Their loneliness and lack of fear regarding death are both heartbreaking. I think they both demonstrate some pretty serious signs of depression like Leo's need for attention (good or bad) from random people around the city. It seems kind of strange that he still seeks that kind of attention even when he has Bruno to talk to though..
    Also by placing the characters in NYC (although it was a big refugee hub so it's probably more for historical accuracy) Krauss really highlights their loneliness. Being surrounded by millions of people they don't know just makes them even lonelier. It seems like loneliness is a trait that connects all of the characters in the book. Leo and Alma are similar in the sense that they are outcasts in a way who have both lost someone they loved. I also drew that connection between Leo and Alma's mother-they are both grieving losses of significant others and both stuck living in the past struggling to move on.
    Although I'm not completely sure which (if any) characters are supposed to be foils? Any thoughts on that so far?
    And finally, what do you think of Bird? I find Bird a very confusing character. He's just kind of an outlier for lack of a better term. He doesn't share many traits or feelings with the other characters. He's just concerned about his faith when the rest of them don't appear to be very concerned with their religion. I'm still confused as to what role he is going to play in the rest of the book..

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  2. I don't think there will be foils, as much as major connections. Like I recently read that Bruno and Leo both loved the same girl, and Leo's obituary is somehow tied to the third character and Alma is tied to the History of Love written by Leo (I believe)... it reminds me somewhat of a web.
    As for Bird, at first I noticed he has some sort of behavioral disorder, which I concluded because of him impulsively writing all over Alma's journal and believing he is The Messiah. My guess is that he is in large part a symbol because this book is strongly tied to Jewish heritage and immigration during WW2. But I find his character interesting and I hope to see more detail to him because I think he is going to be a Messiah figure in the way of somehow bringing unity, or love, or some form when the character web becomes more distinct.

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  3. I think that the description of your characters is very good. Your surface descriptions of each character are very well done. What do you think about each of them on the inside? What do you think will become of Leo as a result of his attitude and personality? Is there a specific reason you didn't necessarily identify Bruno as a main character? Maybe lack of detail about his character? I think that your use of quotes to describe the two main characters is excellent. They are very well used and the description of how they both feel about the people they are surrounded by is very good. What do you think about Leo's thought process behind his "nude modeling"? And about Bruno's suicide attempt? How do you feel about Amlam's parenting relationship with her brother?

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    1. I think there will be a web, connected to The History of Love novel in the story that connects all the characters as it was written by Leo and near and dear to Alma's family, Alma named after the woman he wrote about, also loved by Bruno. So I think Bruno will become more prominent as a character, just when I posted this after the first quarter, he was just someone to emphasize Leo's nearness to death. I think Leo himself has already made noticeable shifts towards the most positive life he can achieve given all that he has lost and sacrificed. As for his thoughts on nude modeling, I am not sure if you are referring to his thoughts on doing it for money, or to be seen, or about when he is actually there and feels mortified. I believe that all of these thoughts are natural for his circumstances. He is very poor, and modeling would take minimal effort and commitment and he would earn some money. Of course, being nude and vulnerable in front of young eyes would be humiliating for someone of his age, but I think he handled his composure fairly well, although I did sympathize for him as he expressed his struggle. As for Bruno's suicide attempt, I think it was a detail to emphasize his sadness and loneliness which is why Bruno and Leo are friends, maybe it will be more important later on, but as of right now, I think it was more to keep the lonely tone in place. I will say that after the first quarter that I have read, the way Alma's chapters are written seems to impact me the most and I like her character very much. Although at eight, having to "be an adult" is extreme, her role as a parent is typical when you have a single absent minded parent. The way she handles how difficult Bird can be is impressive and she does possess a great deal of maturity for her age. I hope that for her sake, the new project her mother has began will take the responsibility off of Alma's shoulders and replace it back onto their mother's.

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  4. A nice intro to your book, its characters, and some of the major motifs. The connections you've drawn between characters are thoughtful.

    Don't forget page numbers for quotes.

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    1. Thank you! I realized about the page numbers after I had posted my blog post, but moving forward I will add page numbers. Sorry about that.

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